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For this issue, we have chosen work that explores fantasy, dreams, and imagination: work that challenges the longstanding notions of truth and evidence that have been ascribed to the still images of photographic practice. Or in some instances we have chosen photographers who work in the trajectory of “documentary” practice in interesting ways, employing a strong subjective voice, imagining the fantastic in everyday events. We have found these artists to be great “composers” of photographic work, creating and constructing the images they present. The editors and staff of The Harvard Photography Journal take great pride in presenting you with this year’s issue.