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"There's Something Missing Here"
A New Testament Scholar Reflects on
Mel Gibson’s The Passion of the Christ
Professor Ellen B. Aitken
In
1 Corinthians Paul claims that he “decided
to know nothing except Jesus Christ, and him crucified” (1 Cor 2:2).
Indeed throughout Paul’s letters, the earliest Christian documents
that we possess, Jesus Christ crucified and raised occupies a central theological
place as the lynchpin of Paul’s understanding of humanity’s
relationship with God. Paul demonstrates no knowledge of what we think
of as the “life” of Jesus; rather the “gospel” for
Paul is the proclamation of Jesus’ death and resurrection. Paul,
however, is not interested in the crucifixion of Jesus for the purpose
of displaying Jesus’ bravery, heroism, innocence, or humility. Paul,
like most early Christian writers, emphasizes the death of Jesus because
of what he understands as its consequences for the building of community.
This aspect is most clear in 1 Corinthians, where Paul makes it clear that
how his audience “imitates” Christ, that is, Christ crucified,
is through the way they behave toward one another in community and particularly
how they gather for worship and for the Lord’s Supper (1 Corinthians
10–14). The Christian community, behaving in mutual love toward one
another, with special responsiveness to the needs of the weakest members,
gathers for the common meal and thus “proclaims the Lord’s
death until he comes” (1 Cor 11:26). At every turn, Paul connects
the centrality of Jesus’ death to the formation of community. Life “in
Christ” is predicated upon baptism into Jesus’ death (Rom 6:3)
but this new life entails incorporation into a community of brothers and
sisters living in the Spirit, freed from the domination of sin and death,
and awaiting the consummation of God’s purposes (Romans 6–8).
The focus is not on the individual, but on a people gathered around the
memory of Jesus’ death and resurrection.
A similar dynamic is at work
in the stories of Jesus’ suffering
and death contained in the four canonical gospels. Each gospel, in its
own way, foregrounds a story about Jesus not to provide a biography of
Jesus (how much more we would want to know!), but to express what it entails
to be a people gathered in the name of Jesus and what it means to “follow” Jesus.
Throughout each gospel, we find indications of the concern for the formation
of community; we might think, for example, of Matthew’s portrait
of Jesus as a teacher of how to settle disputes within the community (Matt
18:15–19). It is the traditions about Jesus’ passion, however,
that function particularly to provide a foundation for common life. In
Mark, for instance, all three predictions of the passion (8:31; 9:31; 10:33)
work toward a definition of discipleship not only as “taking up one’s
cross and following Jesus” but as a life of profound self-giving
service toward one another.
The passion narratives themselves,
beginning with the account of the meal that Jesus shared with his disciples
(and in John with the footwashing),
display their understanding that Christian community is established
upon remembering the death and resurrection of Jesus. We see this aspect
most
evidently in the Gospel of John where the cross becomes the focal
point for the creation of the Johannine community when, on the cross,
Jesus gives
the mother and the beloved disciple (who is emblematic of John’s
church) to each other (John 19:26–27). This moment is not so much
one of Jesus’ personal concern for his mother, as it is highly symbolic
of the nucleus of the gathering of those who abide in mutual love. Similarly,
Jesus’ dying breath becomes in John the occasion for providing what
the circle of followers needs: the phrase translated in English as “he
gave up his spirit” (John 19:30 NRSV) in the original Greek also
means “he handed over the Spirit,” precisely that gift promised
to the disciples earlier in this Gospel to enable them to continue to abide
in Jesus’ love (John 14:15–17). All of the resurrection stories,
moreover, emphasize either the presence of Jesus’ followers at the
empty tomb or their encounter with the risen Jesus. They do so because
the gospel writers understand, as does Paul, that God’s purposes
in raising Jesus from the dead are made evident in communities that
live in accordance with this risen life, empowered by a love that is stronger
than death.
What do these reflections have
to do with Mel Gibson’s movie The
Passion of the Christ? Very little actually, because it is precisely this
concern with community that is missing from the movie. In other words,
what is central to Paul and the evangelists about Jesus’ passion
and resurrection is lacking here. The movie begins not with the Last Supper
or the footwashing, but with Jesus agonized and bereft in the Garden of
Gethsemane. It ends, with its ever so brief resurrection scene, neither
with the appearance of the women and the other disciples at the tomb nor
with any encounter between the risen Jesus and his followers but rather
with a somewhat more ethereal Jesus in complete isolation. Here there is
no command to proclaim the resurrection, to make disciples (Matt 28:7,
19), or to forgive (John 20:23). There is no instance of reading scripture
with one another or eating a common meal, as in Luke 24, when the disciples
perceived the presence of the risen Jesus among them. There is no re-incorporation
of Peter, following his denial, as John 21:15–19 relates the risen
Jesus doing. The movie has also stripped away from Jesus’ suffering
and death all of the aspects whereby the evangelists demonstrate the formation
of community through Jesus’ passion. Jesus dies, but his breath does
not convey the Spirit to his followers; an unnamed male disciple (we do
not know he is the beloved disciple) agrees to take care of Jesus’ mother,
but it is, to my eyes, a matter of expedience rather than a moment with
consequences for the future of people abiding in Jesus’ love as it
is in John’s Gospel.
I stress these points not only
to emphasize the distance between Gibson’s
movie and the New Testament writings about Jesus’ passion but also
to elucidate the spiritual dead end offered by the movie. I have heard
a few people say that they have been “moved” by the film: the
question that properly follows such a statement asks, “moved to what
ends?” or “moved to do what?” Throughout the history
of Christian spirituality, meditation on Jesus’ passion and death
has been encouraged as a means to nurture compassion within our hearts.
Compassion begins perhaps as an act of empathy with Jesus’ sufferings,
but then flowers in our compassion for the profound sufferings of others,
our sisters and brothers throughout the world. Contemplation of Jesus’ passion
in prayer thus deepens our awareness of our commonality; it broadens our
consciousness of our connectedness one with another both in our need for
God and in the movement of divine compassion toward all creation. The ways
in which the story of Jesus’ passion and resurrection is shaped in
scripture serve to remind hearers throughout the centuries that life
lived following Jesus crucified and risen is a life lived in loving generosity
toward one another, toward friend and stranger, and that such a life
reveals
divine love.
The Rev’d Dr. Ellen
B. Aitken is Assistant Professor of New Testament at Harvard Divinity
School and an Episcopal priest.
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