|
The Salient
received well over 100 letters in response to its Feb. 8 edition, which included
the reprinting of four Danish cartoons that depicted Mohammed, Islam's prophet.
A vast majority of the letters were positive; we have made an effort to publish
as many critical letters as possible, however, in the interest of engaging in an
open debate.
Dear Sirs:
While breezing through the Crimson online, I noted that one Eric Lesser, the
head of Harvard Democrats (redundant, no?) declared that "[The Salient is]
totally out of the mainstream. It doesn't reflect the values of anyone but a
fringe group of people."
A profound statement! The kettle self-referencing the kettle as a pot, I
suppose. Academia has made a predictable plunge since the Free Speech Riots of
1964. Indeed, those favoring republication of the cartoons are a fringe—but only
in places like Syria, Iran, Egypt, and Saudi Arabia. If Mr. Lesser and his ilk
wonder why Democrats have failed so dismally in recent years, they ought to be
less interested in asking "What's the Matter with Kansas?" and instead wonder
how Harvard has marginalized itself from a respected institution of higher
learning into late-night material for Jay Leno.
As for The Salient, peace—as well as the thanks of anyone genuinely concerned
with free speech—be upon it for republishing the cartoons.
Richard F. Miller '74
Dear Sirs:
The decision to reprint the cartoons was wrong. The editorial justifications
provided set a dangerous precedent. With an eye to the legal consequences facing
publications that have decided to reprint the cartoons, I believe that the
decision by The Salient to reprint the articles as an "incitement to
violence"—as opposed to an offensive claim of providing the cartoons as
"incitement to dialogue."
I, further, find the decision to print anti-Semitic cartoons in conjunction with
the aforementioned cartoons similarly offensive.
I, respectively [sic], ask that you resign.
Pascal Chahine '06
Dear Sirs:
I must admit that the violent protests are extremely frustrating to watch. Just
today, I read that there have been riots all over Pakistan (my home country) in
which at least two people were killed. Nothing is worth two human lives.
Absolutely nothing.
However, I saw that The Salient has published the cartoons itself, and it seems
to have failed to mention and even understand the fundamental problem of the
cartoons. This problem is that any drawings or pictures of the Prophet are
strictly forbidden in Islam. I reiterate: any drawings, not just satirical or
critical ones. Pictures of the Prophet Muhammad cannot be drawn. This is why
movies made on Prophet Muhammad by the West never show the Prophet himself. This
is also why Muslims are infuriated by the cartoons and their constant
republication. If you write down instead of draw criticisms of and jokes on
Islam or the Prophet, I and many others will not care.
Shayan Rajani '09
Dear Sirs:
I would like to commend The Salient's editorial staff for your decision to print
the now-infamous Muhammad cartoons. My politics couldn't be more different than
yours, but surely we both agree that the American media's latest self-censorship
in the name of political correctness is an inexcusable bastardization of the
Fourth Estate's responsibility to the citizens it serves.
I unsuccessfully argued the point to my fellow senior editors that any attempt
to meaningfully cover, or help readers understand, the current troubles in the
Middle East without printing the cartoons constituted a flawed endeavor.
Unfortunately, few of my colleagues agreed—but I am glad to see your editorial
board heeded the voice of reason, particularly given the drubbing you surely
knew would be taken for doing so, which I'm convinced scared my colleagues, not
to mention editors at all of our country's most prestigious media outlets, into
submission.
You might have angered a few, but surely performed a great service to the
majority.
Jeremy Beecher
Editorial Director, The Daily Trojan
University of Southern California
Dear Sirs:
Congratulations on your decision to give your readers the opportunity to examine
the famous cartoons that Islamic extremists have gone berserk over.
It is utterly amazing that newspapers like the New York Times or the LA Times
are so timid and politically correct that they would deny their readers a
complete story. Freedom will not be advanced in the world by cowering in a
corner and pretending that nothing has happened.
Do not let the know-nothing Left on campus browbeat you about sensitivity. There
was nothing in those cartoons that anyone could misconstrue as vile. It was a
simple critique and satire.
Keep up the good work.
Rick Jones
Prague, Czech Republic
Dear Sirs:
You do freedom a service by your publication of the cartoons showing the
"Prophet Mohammed" as he appeared in the Danish press. Your action gives me hope
that courage on the Harvard campus has not disappeared entirely. Too often
individuals in the recent past have been pilloried for expressing unpopular
views, out of step with the liberal orthodoxy that stifles free speech on your
campus. Your courage in the face of those who threaten the free exchange of
ideas with loud voices and physical threats impresses. Keep up the important
work!
Jock McDonald '70, MBA '73
Dear Sirs:
I just wanted to write a short letter of appreciation for printing the cartoons
that have recently caused so much drama. Most of the American public assume the
cartoons are explicit or incredibly inflammatory, when it reality the cartoons
are simple and humane. By printing the cartoons, the truth may be revealed. The
cartoons are simply meant to stir up debate, just like all other editorial
cartoons. Extreme Muslims need to realize they do not have the right to not be
offended. Thanks again for standing up for symbolic speech and free expression!
Margaret Johnson
Modesto, Calif.
Dear Sirs:
Yet again, The Salient provides us with offensive and uneducated information.
Your decision to reprint the cartoons in the midst of the growing violence and
loss of lives is not only insensitive, but it also demonstrates the lack of
research and fact-checking that goes into your articles.
I'm all for free expression, but your comment that "Christianity has evolved as
the West has evolved, and Christians have grown thick skin. It almost goes
without saying that similar depictions of Christ, or the pope, or a crucifix
would have hardly elicited a response save a handful of letters to the editor.
In the 21st century, a violent response would, in any case, be unfathomable"
shows your western-centric views and your lack of thought, both of which
contribute to the ridicule with which the Harvard community views your
publication. Christianity has had a hegemonic hold over Western ideals for the
past 2,000 years, so those within this dominant power structure are going to be
less offended by critiques of their institution because they can, oh, I don't
know, kill off all non-Christians (i.e. the Inquisition) or be smug with their
religious dominance (I myself am a Christian and recognize this).
However, caricatures of Mohammed are explicitly prohibited in Islam, unlike
depictions of the pope (who, by the way, is not a prophet) or Jesus, so this
goes directly against Islamic law—in case you hadn't noticed, that's the big
problem everyone is having with the cartoons. And your parallelism with
caricatures of Jews in Muslim countries is similarly uninformed.
Although these latter cartoons are also extremely offensive, they depict actual
Jews rather than prophets (I didn't see Moses or Abraham in any of those
cartoons, in fact, all I saw were Israeli soldiers, who are slaughtering
Palestinian children daily—that's probably the real implication of the cartoons,
but I'm pretty sure you took them out of context). Anyway, I'm sure this is just
one of the many angry letters in response to your decision to print these
cartoons, but I echo those sentiments and hope that someday your publication
will actually foster intelligent debate instead of being the gossip-mongering
piece of trash that it is now. As such, I respectfully ask for the resignation
of the editors of the publication.
Arianne Plasencia '06
The Editors Respond:
Our first and foremost reason for publishing the Danish cartoons was to prompt a
conversation that we perceived was not happening. The Salient took a gamble. We
knew the cartoons would offend Muslims on our campus. But we thought the risk
was worth it because our decision would serve as a starting point for meaningful
conversations.
We have accomplished this much. Our debate has been brought to both the Harvard
community and the outside world thanks to coverage in the Boston Globe, as well
as on the O'Reilly Factor, two Boston television stations, NPR's national
program "Weekend America," the National Review, the Jewish Advocate, and
numerous smaller publications around the country.
With an eye to the minor issues, we were well aware that most Muslims feel their
religion forbids depictions of their prophet. (Notably, Muslims throughout
history disagree on this key point. Two of the largest, most powerful Muslim
dynasties—the Safavid and Mughal empires—both produced illuminated manuscripts
that depict Muhammad's night journey.)
In any case, we felt it absurd to expect non-believers to follow others'
religious proscriptions. (See our staff editorial, page 4). Moreover, this
particular taboo seems to run directly contrary to the values a free society
holds dear. It reminds us of the taboos Christianity once held, before the
Renaissance forced the Church to evolve.
If we had thought these cartoons would provoke a violent response, we would not
have published them. Yet, we trusted that Harvard students would not become
violent. And we knew that Harvard ostensibly prides itself on providing a full,
even risqué, climate of free speech. After all, this is the university which
allows students to publish a pornographic magazine called H-Bomb—in fact, the
student government funds it!
This is the same Harvard where BGLTSA once handed out blank posters to its
members with instructions to let their imaginations run wild. The resulting
works were emblazoned with lines like "Saint Sebastian: The First Fag in the
Military" and "I Worship the Lord with my Wet Quivering Clitoris." These images
were then plastered around the Yard.
And this is the same Harvard where a student dressed as the Virgin Mary was
photographed masturbating, an oeuvre which was submitted as a final project for
the class "American Protest Literature from Tom Paine to Tupac." That image was
later posted on one of Harvard's most heavily trafficked blogs.
These are blasphemies, just as much as depicting Mohammed is. But the Harvard
Interfaith Council did not call a forum to discuss Christians' feelings, nor did
anyone (pace Ms. Plascencia's assertion) begin an Inquisition.
In so many ways, the reaction to The Salient's publication of the cartoons has
vindicated our reason for publishing them. It has proved beyond all doubt that
politically incorrect pictures and language can beget a more fruitful
conversation and get more minds thinking. Isn't that what universities are meant
for, anyways?
—The Editors
|
|
|