The Cinepak movie on the right is one that I created from Apple's movie for use as an embedded logo on my QuickTime Movies page. I wanted it to have a reasonably low file size so that it would download quickly for the viewer. I arbitrarily picked 150 k as a good target size. Unfortunately, to reach that target, I had to make a lot of compromises. The frame rate was very low, there were a lot of compression artifacts, and the sound quality was severely compromised.
When creating the Sorenson movie, I aimed for roughly the same file size. With Sorenson, however, I ended up with much higher quality video at a much higher frame rate. And with the QDesign Music compressor, I got a wonderfully rich soundtrack with a very small data size.
Sorenson |
vs. |
Cinepak |
| 143 k
|
|
139 k
|
Another nice quality of the Sorenson codec is that it is much more tolerant of higher frame rates than Cinepak is. That is, there is little difference in file size whether your movie's frame rate is 5 fps or 15 fps. You'll have to experiment to see the effects, but in general, you can set your movie's frame rate to be as high as the source material with very little penalty.
The digital artifacts at the end of the Sorenson movie above probably could have been avoided with the Developer Edition of the Sorenson Video codec. The Developer Edition supports Variable Bitrate Encoding, which would have handled the flash of light at the end of the movie more elegantly. Unfortunately, the Developer Edition is rather expensive, so unless you're a serious QuickTime Developer, you're probably best to stick with the Basic Edition included with QT3.